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“... One afternoon in May 1995, I rang Ken Loach to try to persuade him to play Fantasy Filmmaking. In fact I had to call a number of British directors, and ask each one to imagine the kind of movie he or she would make given a bottomless budget. ‘An unlimited budget would be a liability,’ Loach said ...”

“... a Westminster court for a pre-extradition hearing, there was the odd spectacle of John Pilger and Ken Loach outside pledging surety for Assange’s bail, along with Jemima Khan, the daughter of the late tycoon and anarcho-capitalist James Goldsmith, whose contributions to British public life included repeated libel actions against Private Eye. Khan ...”

“... poor and underprivileged some critics would have given him credit for that, as they give credit to Ken Loach. But in Lindsay’s view class wasn’t the issue but humanity in general. He affected to despise the press, whatever its complexion, his daily paper generally the Telegraph. But, as Tony Richardson said, ‘he was a sublime and sometimes ...”

“... than the project. Buffet and Besancenot, who gets an endorsement on his party website from Ken Loach, have put their names to the ‘Social and Citizenship Contract’, though it may not go far enough for Besancenot, a figure of some charm and trenchancy, who has said how futile it is to imagine that a soft-left vote – i.e. for Ségolène Royal ...”

“... Michelangelo. He’s still going. The light is brutal for people but lays the art bare.‘Are you Ken Loach?’ I ask politely, of the male flamingo seated next to me. ‘No,’ he says, chuckling, he switched seats with him. His name is Ross Lovegrove, he is Welsh, and the burr comes right up from his breastbone. He tells me who everyone is. We talk ...”

“... air that anyone brought up at the time in a working-class city will remember. Inside Belfast is a Ken Loach movie about Ma deciding whether she can leave these tight-knit streets to start a new life in Canada or Australia (Pa gets the brochures). As threats from the paramilitaries escalate, emigration becomes inevitable.One complaint about the film is ...”

“... there were people working for the BBC who couldn’t be public, but we can name them now – Ken Trodd, Ken Loach, Tony Garnett, John McGrath. You know, from the cultural milieu. There was Clive, Fred Halliday, later Sheila Rowbotham got involved, and Roger Smith, script editor at the BBC. The French May erupted ...”

“... there in person.Or they don’t take responsibility – take, for example, Rube’s abortion in Ken Loach’s BBC adaptation of Nell Dunn’s book Up the Junction, which helped bring about the 1967 Abortion Act. This is a case in which it mattered a lot how the abortion story was told. Loach avoided straight ...”